"Breaking Bad" unfolds precisely at the intersection of "Walter White" and "Heisenberg." Walter, a reserved family man and a low-income teacher, contrasts starkly with Heisenberg, the mastermind and producer of America's purest methamphetamine, as well as a dangerous trafficker. Despite their stark differences, these two characters coexist in parallel within the same body.

Midway through the narrative, I found myself envying Walter. Afflicted with cancer and facing imminent death, an internal alarm awakened the dormant giant within him, drawing him closer to the essence of life. Walter's newfound drive is to amass a fortune, ostensibly for his family – tens of millions of dollars, he insists. However, this becomes the pivotal lie he tells himself, a deception persisting almost until the story's conclusion.

The disintegration of the family occurs towards the story's end, not in the conventional sociological or moral sense, but as a facade—a cover. When Walt's wife defends herself with a kitchen knife, a struggle ensues, and their teenage son calls the police, these chaotic moments represent Walt's desperate attempts to prevent the curtain from falling and facing the truth. In a distressed state, he repeats to his shattered family, "No, no, we are a family... we are a family."

"Jesse" serves as the dormant yet alive conscience of the story, embodying the lonely and suffering inner child of society. Despite Heisenberg's attempts to remove him discreetly, Walter White ultimately sets Jesse free, recognizing him as a part of the family that no longer exists. "Hank," the determined and courageous man in the tale, risks everything to confront Heisenberg, successfully handcuffing him. "Skyler," torn between motherhood, wifehood, and the confusing duality of Walt and Heisenberg, expresses her helplessness and confusion, admitting at one point, "I don't know you anymore. I don't even have the strength to keep you away from my bed," forcing her to make a choice that persists until the story's conclusion.

Though the shadow of death looms over Walter White throughout the narrative, it is not death that ultimately claims him. Instead, he orchestrates his own demise to unveil the truth—a truth transcending the notions of good and bad, revealed by passing through a metaphorical curtain. Walter triumphantly acknowledges that his actions were not solely for his family or anyone else but for himself, culminating in his embrace of Heisenberg.